A Rare Portrait

A few months back I was asked if I would like to participate in a special art exhibit.  I would paint, and donate, a portrait of a child with a rare genetic disease.  As you might suspect, I got more than I gave.  When I dropped off the painting, the coordinator of the exhibit, Patricia, acknowledge the challenge of painting accurate portraits.  I then found out she had two children with genetic disorders.  The comparison of a lifetime of challenges vs. a few hours creating a portrait are such opposite extremes.  This will be the second exhibit and the number of artist who volunteered have tripled, some asking to do additional portraits.  The foundation is called the Rare Disease United Foundation, but Patricia's goal is to make the world know these disorders are not really rare.  There are over 7000 different genetic disorders affecting 30 million Americans; so there are lots of opportunities for future portraits.

Please check out my beautiful model Brenna's website, who has Harlequin Ichthyosis
 http://www.blessedbybrenna.com/
And the website for the first wonderful exhibit.
http://rarediseaseunited.org/programs/beyond-diagnosis-art-exhibit

Narragansett Art Festival

I haven't enjoyed watching a weather forecast quite as much as I did this morning.  High 70's, mild breezes with 0% chance of rain for today and the weekend.  Having set up my booth in high winds and sitting sheltered during cold rain, my fellow artists and I REALLY appreciate this kind of weather.  I hope all the art lovers do, too.  The location is perfect for this weather as I'm across the street from the beach.  Come early to beat the sunbathers, swimmers and surfers.

"Breast Stroke"  18x24

I"m working on some smaller painting of surfers, just in case a waves are small and a few of the surfers come to check out the art festival.

Follow up:  This painting was my submission to the Wickford Art Association's Poetry and Art exhibit.  Below is the poem that was written inspired by my painting.  So honored!

First Swim
The shock of a bald scalp
under a swim cap, a soundless
shriek, mouth agape.
Anticipation. No, trepidation,

Stretching without discomfort
doing the breast stroke, thrusting
forward, pushing away
past months. Water laps

a lopsided swimsuit where
scraped tissue has been; a
weird sensation of asymmetry
bathes the incision like liquid

balm. Mimicking the curves
of the water’s bubbles
and ripples is the soft
geometry of the cap, the goggles.
In baptism, the swimmer renewed.
- Helen D'Ordine

Christmas Commissions Part 2

 
I almost didn't take this commission because of the initial hurdles, but I sometimes enjoy the challenge.  The original photo was a very small 3x3 and the subject was even smaller.  When looking at the original, there was no way I could use it as a reference, but I took it home and scanned it at a high resolution.  I was surprised how much detail was revealed.  When doing portraits, you can get a good likeness without showing details.  It is all about capturing the shapes of shadows and highlights to reveal the features of the face.  So I jumped in feet first and will be dropping it off to the new owner today.

A Very Limited Palette

For a recent homework assignment, I had to create a painting using only two colors, Transparent Oxide Red and Ultramarine Blue Deep, and white.  We also created a color scale to understand the range of colors that could be created.

The results were rich "blacks", a broad range warm and cool greys, and some a nice skin tones.   I decided to see what I could do with these colors in a portrait.  I started with an imprimatura under painting using burnt umber.  (not one of the two colors, but it would be painted over)

Mid-point

Imprimatura

The blue robe, background and the darks of the hair were easy, but the skin tones were more of a challenge.  Because the photo had a strong light source, I first used warm darks in the shadows (neck and chest area) thinking the skin should have more of the Transparent Oxide Red.  The face had some reflected light from the blue robe, so I tried blue-greys in the shadows of the face.  I also found some other "cool" areas of the face. This made me realize how many blue-greys were in the neck/chest area, too.  As you can see from the "mid-point" version, it now looks too red.  So back to the easel, and below is the finished painting.

When to Sign a Painting?

 

                               

I've always loved the challenge of painting the human figure, but these paintings always seem to need more work.  With a still life or a landscape, the point at which I'm comfortable with adding a signature is often clear.       As I downloaded these photos from my camera, I could see so much that needed to be fixed.  For these two paintings, the deadline of an art festival next weekend is my only incentive to sign and frame.  If someone loves them and buys them as they are, I will be very happy, but next week they will probably be taken out of the frame and tweaked a bit.  I'm fortunately meeting with a group of fellow artists tonight for "critique night."  I'm sure my list of fixes will be enhanced after their insights